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Inside the World of Aiden.

     

BY CORINIA WILLIAMS

Photo credit: Aaron Scott

After igniting the dance floor with a cover of the Erasure song “Love to Hate You” emerging club sensation Aiden Leslie’s new music is tearing up the dance floors from Monaco to London and rotating on the airwaves of VH-1 and MTV. This man of style is indeed a hot package of talent. He looks great without parading the trends of the second and he brings solid sound to the table. His videos are stylish and stylized – he plays the object of desire, storyteller and club energizer with equal directness. He understands how to look good in front of a lens and how to posses a sexy mystery simultaneously.

At the top of the charts with his club track, “Worlds Away” Aiden Leslie’s song about life’s ups and downs struck a chord with club goers everywhere. The song nabbed the top spot on the club music retail site, Masterbeat.com and the music video climbed to the #1 spot on LOGO-TV “Click List” countdown show, remaining there for four weeks. His follow-up song, the recently released “Trying to Leave Now,” is a song about salvaging what is right in a relationship before losing everything. “Trying to Leave Now”isabout a person in his life that he has always had deep feelings for, but was afraid to express,” said Aiden Leslie from his studio in New York where he is currently recording his next track. “We eventually came together but at the wrong time in both of our lives, making it impossible to pursue. We had such a long history; we had to ask ourselves if what was at stake was worth losing.” While club goers may not always be listening to the message of the song, Leslie’s beats are as electrifying as his words are portents to life’s lessons. With both style abounding in his looks and music Aiden wants to be there when style statements are made and we are sure that this man of style will make his mark.

www.aidenleslie.com

issue 91
Meet Antoine Chevanne, Owner/CEO of Groupe Floirat.
issue 90
Emerging Pop Artist Aiden Leslie: Style and The Beat.
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